At Facing History, we begin each journey of investigation with a study of identity, focusing on how both individual and national identities are formed, as well as how these identities influence behavior and decision-making. This month we are excited to launch a new online resource that grapples with issues of both personal and community identity. Sholem Aleichem and the Challenges of Modernity looks at the life and times of Sholem Aleichem, a Jewish writer and humorist who lived from 1859–1916 whose writing is noted for portraying eastern European Jewish life with both humor and compassion. (His name may or may not be familiar, but you probably know his work - his short stories about Tevye the Dairyman were the inspiration for the musical Fiddler on the Roof!)
Sholem Aleichem writes about people who describe being “stuck in the middle” between tradition and modernity is one that may resonate with young people today, who oftentimes feel the tug between their own values, the values of their families, and the values of their different communities. In this sense, Sholem Aleichem’s characters and their struggles are profoundly universal. Bring these stories and questions about identity to your students with a flipped classroom exercise featuring one of the clips from the resource in which we look at one of Sholem Aleichem's short stories about a community in the midst of an identity crisis.
Suggested Activity: Identity in a Modern World
A) In Class: Identity Chart Activity
As an introductory activity, you may choose to use the Identity Chart strategy.
1. Have students construct an identity chart for themselves in the present.
2. Next ask students to construct an identity chart for themselves two or three years ago.
3. Have students discuss the following questions:
- What has changed?
- What has stayed the same?
- Why do identities change over time?
- What role do other people have in shaping our identities?
- Does each of us really have one fixed identity, or are they multiple?
4. As a follow-up activity, ask students to think of a favorite article of clothing that says something about their identity, such as a cap with the logo of a favorite sports team, a favorite T-shirt, or a piece of jewelry from a family member or friend. Students can describe the article of clothing to a partner or small group. Have them consider the following questions:
- What does this piece of clothing say about you?
- How do you feel when you wear it?
- How do you think other people perceive it?
- Do the things we wear reflect the way we see ourselves or the way we want others to see us?
5. Give students a moment to think about the item, and the ways in which identity can be altered simply by changing a piece of clothing, before discussing their selection and ideas with a partner. You might have each student present his or her item to the class.
1. As homework, ask students to watch the clip "Sholem Aleichem: Identity in a Changing World” from the film Sholem Aleichem: Laughing in the Darkness. The clip focuses on Aleichem’s story "On Account of a Hat."
2. After watching the clip, have students respond to the following journal prompt:
In the clip, Dan Miron says that Sholem Aleichem was exploring one question: “How to be Jews in a modern world—how to adapt to modernity and yet not lose the continuity of a civilization that was Jewish?” Sholem Aleichem, like many of his generation, wrestled with these questions:
- Is it possible to adapt to modernity without losing touch with the past?
- How might these two paths be reconciled?
- Are there other groups that must confront these questions?
- How do these questions connect to the identity charts you created today?
3. Read "On Account of a Hat"
Sholem Aleichem’s story “On Account of a Hat” addresses the tension of constructing an identity for oneself that is unique and modern, but also acknowledges and is respectful of one’s ancestry. Before reading the story, students might want to review background information on Aleichem. The following T-Chart or graphic organizer exercise may help students better understand the text and structure their thoughts about the story.
- On the left side of a piece of paper, write the following statements made by the narrator:
The narrator of the story says that this is a “true story.”
The narrator says, “We were better off without the train.”
- On the right side, have students write two or three examples from the text that support each statement.
It is important to note that Sholem Aleichem is known for his use of irony and his humorous engagement with the audience. You may wish to have students note any contradictions they see on the right side of the chart and keep in mind the tone that Aleichem uses.
C) In Class: Reader's Theater
Have students apply the Reader’s Theater strategy for several key moments in the story. This activity can help break down important moments in the clip and text, as well as think about the choices that characters make in the story. The following are scenes you may wish to have students recreate as part of the activity or students can choose their own:
- The moment when Sholem Shachnah reasons that he should be able to take a nap before the train arrives.
- The moment when Sholem Shachnah places the Russian official’s hat on his head and goes to buy a ticket.
- The moment when Sholem Shachnah sees himself in the mirror.
D) Synthesis and Reflection
Come back together as a class. Discuss what the story suggests about the relationship between an individual and the context of his or her experience. You may want to pose the following questions in a class discussion or have students respond to them in their journals or as writing prompts:
- What changes might you notice in your identity over time or with a change of context?
- Are there ways in which you have stayed the same?
- What parts of your identity are influenced by your parents, their economic class, or their cultural background?
- Are there ways in which you are moving away from the values your parents hold?
- What role do the traditions of your parents or grandparents play as you think about your present and future?
E) Suggested Extension: Barometer Exercise
You may choose to do a Barometer exercise to help students explore the question of whether or not identity can be fixed, or static, in our ever-changing world.
- Place the statement “Sholem Shachnah can return to the sense of identity he had at the beginning of the story” at one end of the barometer chart and the statement “Sholem Shachnah’s identity has fundamentally changed” at the other end.
- Ask students to arrange themselves based on whether they “strongly agree” or “strongly disagree” with the idea that Sholem Shachnah can return to his sense of identity, or fall somewhere in between.
- Then give students the option of discussing their choices.
Moving from this particular story to universal questions about issues of identity and an age of globalization, consider repeating this exercise using the following prompt: “Living in diverse communities makes it more important for people to hold on to their families identity and traditions.” To explore the other side of the question, you might have students respond to this statement: "Living in a diverse community requires people to give up their family identity and traditions.”
Check out our guide to the film, "Sholem Aleichem: Laughing in the Darkness" and try the exercises above with your classroom.
Culture and Identity Essay
1142 Words5 Pages
Culture and Identity
Culture and identity could have many different definitions. Culture to me is what made you the person that you are today. The background and history of a person that is the reason of who they are and what they stand for. Identity to me is the certain characteristics that belong to a person that makes them different from everyone else on this planet. The world with no culture or a lack of identity would be a rather boring place. Identity and culture are what makes this world an interesting place, there is a distinct relationship between identity and culture and one without the other they could not exists.
In the essay "Real Indians Eat Jell-O" by Laurie Carlson, it seems that she has trouble finding her own…show more content…
But simply making fry bread for special occasions and hearing about tales of coyotes does not give her culture, but hearing stories about her grandmother and her grandmothers past which she never seems to ask about, does.
My family history is somewhat vague in some areas but for the most part I know most everything dating back to my great grandparents. My great-grandfather was born into a low class white household in Moscow, Russia. He immigrated to America with his mother and father at age eight. After very little bouncing around they ended up in Detroit where they ended up staying. My great-grandfather stayed in Detroit and started a family and a business which is still there to this day, Warholak Tire Service which is located at 9411 McGraw street in Detroit. Once my great-grandfather got the business going he joined the upper middle class of a suburb around Detroit. As my grandfather grew older he and his brothers took control of the tire shop until my grandfather started his own business, a junk yard. Which also stands to this day as Bridgelake Auto Parts in Clarkston. When my grandfathers business became successful he too joined the upper middle class just as his father did so many years before him. My grandfather soon had a family and my mother was one of four children. My mother then became a teacher and married a successful business man being of course my father, hence me being born into the